Ideas shape the course of history.

— John Maynard Keynes.
Overview of Céline on Fire.
Playing in an African American jazz group on a cultural exchange tour behind the Iron Curtain, Giovanni meets Eastern European jazz fans who reveal to him the consequences of ultra-nationalism and Nazi and Stalinist atrocities. Céline’s older sister Yvonne, author and professor of philosophy and American studies at the Sorbonne, tells Giovanni of T.E. Lawrence and the Arab Revolt, Zionism, 1936-1939 Palestinian revolt and the creation of Israel in 1948, women’s struggle for parity, Simone de Beauvoir’s The Second Sex and Jean-Paul Sartre’s existentialism, slave rebellions, Reconstruction, Compromise of 1877, the rise of the Redeemers and the Ku Klux Klan.

Les Gordon, an expatriate African American saxophonist with Cherokee and Osage ancestry, tells of the American Indian Removal, the Trail of Tears, and the genocide in Tulsa, Oklahoma, 1921. Mansur Hashim, an Ahmadiyya Muslim from New Orleans, tells of the origins of African American music, his Islamic faith, and his identity as a gay black man in America. Denis Diderot, a secular Jewish bohemian and classically trained pianist, tells of the Armenian genocide and his imprisonment in Istanbul. Marie Dvoracek, a painter in Prague, tells of the Soviet massacre of the Poles in Katyn Forest and the Nazi extermination of Jews in the ravine of Babi Yar. Zora Abramowski, an intelligence officer in Belgrade, Yugoslavia, tells of the Croatian genocide against the Serbs and Marshal Joseph Tito’s victory against the Nazis.

Tomás Montoya, a Gitano flamenco dancer, a refugee from the Spanish Civil War, tells Céline of Caudillo Francisco Franco’s dictatorship and the overthrow by the CIA of the democratically elected Prime Minister Mosaddegh of Iran in 1953 and Prime Minister Jacobo Árbenz of Guatemala in 1954. Tomás, influenced by the Sufis, tells Céline of the Islamic philosophers Averroës and Avicenna, and the Jewish philosopher Moses Maimonides during the enlightenment of 11th and 12th century Andalusia. Yvonne, a writer on feminist issues, talks about sociologist Harriet Martineau, anthropologist Margaret Mead, historian Angie Debo, film director Dorothy Arnaz, and political activist Olympe de Gouges who Robespierre condemned to the guillotine for expressing her ideas on slavery and women’s rights.

Tomás and Céline discuss 1950s Italian neo-realism and New Wave French cinema, the removal of Japanese Americans to concentration camps during WWII, the Korean War, McCarthyism, the Berlin Blockade, Marshall Plan, German Chancellor Willy Brandt’s Neue Ostpolitik policy that ultimately led to the reunification of Germany, and Jean Monnet who created the European Economic Community, a step toward a united Europe.
Céline on Fire is about how the past haunts the present. Like Voltaire’s Candide, and Jean-Jacques Rousseau’s Julie: or, The New Heloise, Céline on Fire uses dialogue to examine philosophical questions in an extended essay. A book with a similar concept may be Sophie’s World by the Norwegian author Jostein Gaarder who used dialogue between a philosopher and 14-year-old Sophie Amundsen to study the major philosophers from the Greeks to existentialism, a book that sold forty million copies in 60 languages.

A hybrid of illustrated essay and narrative non-fiction, the book examines history through a unique interdisciplinary approach. Using techniques from documentary motion pictures,
Céline on Fire tells history in an eBook presentation of 1,000 images in each of the three volumes — photographs, illustrations, paintings, newspaper headlines, and popular cartoons.

My three volume project published serially would be economically feasible as an eBook because it would not require additional art work or type setting. It has been executed on an Affinity desktop publishing program and would only require marketing expenses. The illustrations have either been purchased or drawn from the German Federal Archives, Library of Congress, U.S. Archives, or Wikimedia. Since it is about the past, most illustrations are in the public domain.

Focusing on leaders Tom Paine, American Indian chiefs Tecumseh, Black Hawk, Sitting Bull, Geronimo, and Cherokee leader John Ross, Simon Bolivar, San Martin, Jakobus Morenga, T.E. Lawrence, Gertrude Bell, David Ben-Gurion, Menachem Begin, Izz ad-Din al-Qassam, Zhou Enlai, Sukarno, Mahatma Gandhi, Jawaharlal Nehru, Mohammad Mosaddegh, Patrice Lumumba, Ahmed Ben Bella, Fidel Castro, Che Guevara, and Salvador Allende, the book provides an overarching view of the struggle against colonial powers.

Céline on Fire is set during the Cold War in Paris, Lyon, Lausanne, and behind the Iron Curtain, 1955 to 1963, beginning with the French Algerian War and ending with the Cuban Missile Crisis. The characters of Céline talk about how ultra-nationalism was used by demagogues Mussolini and Hitler to fool the people, overthrow a democracy and establish a dictatorship. With the escalating assault on the free press and an independent judiciary, and the rise of nationalism, we must question whether we are marching back to the 1930s with its radical political polarization, anti-immigration passions, ethnic hatreds, and the cancer of fascism — a time when ethnic nationalism devoured more lives than in all preceding centuries. In light of the relentless carnage of man against man, Céline asks: “Why do good men commit atrocities?
Why is Céline on Fire important right now?
Download The Prologue
Celine on Fire Dale Allan Pelton logo
Celine on Fire Dale Allan Pelton logo
Download Chapter Thirteen
Download Chapter Fourteen
Download Chapter Fifteen
Download Chapter Sixteen
Volume I Selection Of Chapters
Volume 2
Download Chapter Four
Download Chapter Five
Download Chapter Twenty Three
Download Chapter Twenty Six
Download Chapter Twenty Seven
Download Chapter Twenty Eight
Volume 3
Download Chapter Two
Download Chapter Three
Download Chapter Seven
Download Chapter Eight
Download Chapter Ten
Download Chapter Eleven
Download Chapter Eighteen
Download Chapter Nineteen
Utilizing the lessons of history, Céline on Fire addresses the struggle of democracy in the modern world. Minister of Public Enlightenment Joseph Goebbels said, “One of the most ridiculous aspects of democracy will always remain . . . the fact that it has offered to its mortal enemies the means by which to destroy it.”

In our time, Russia’s President Vladimir Putin has imprisoned the leader of the opposition Aleksei Navalny and a Russian court has defined Navalny’s political movement as an extremist network, leaving those who oppose Putin vulnerable to suppression, arrest, and banned from running for public office. Hungarian Prime Minister Viktor Orban’s government has silenced Klubrádió, one of the last radio stations not under control of the government. In Myanmar, a military coup has replaced elected leader Aung San Suu Kyi. President Alexander Lukashenko of Belarus has signed a law banning journalists from reporting on mass protests, resulting in every leading journalist in Belarus being forced into exile or imprisoned.

Access to voting is being limited in Georgia, Arizona, and Texas. Chief Justice Earl Warren wrote in 1964, “The right to vote freely for the candidate of one’s choice is of the essence of a democratic society, and any restrictions on that right strike at the heart of representative government.” To date, the governors of Idaho, Iowa, Oklahoma, Tennessee, and Texas have signed legislation banning the teaching of slavery and systemic discrimination against Black and Indian Americans. Using visual images, my book explores the relations between the United States and the world, revealing the good and bad of American history.

Freedom House Report documents the democratic recession with more countries moving away from democracy than are moving towards democracy. Autocratic forces and hyper-nationalism are flourishing in Hungary, Poland, Brazil, Turkey, India, Russia, China, Italy, France, the United Kingdom, and in our own country as well. Authoritarian leaders are imprisoning, torturing, and murdering activists. The violence that occurred in the U.S. Capitol on January 6, reminds us that we can’t take our democracy for granted. The artists and thinkers of Céline show us that without a free press and a transparent electoral process, a democracy cannot survive.

Through many years of designing for films like Steven Spielberg’s
The Goonies and Universal Studio’s Battlestar Galactica, I have polished my visual techniques for telling a story. Rather than telling history chronologically within a specific time period, the book overcomes the trend to Balkanize history, by connecting ideas, political theories, and the fine arts across the centuries from ancient history to the Middle Ages, Renaissance, Enlightenment, and 19th and 20th centuries. An argument for cultural pluralism, Celine says that the lack of tolerance is one of the gravest dangers to which our overpopulated planet is imperiled. For an example of how the visuals work, Volume II, Chapter 28 records the rise of the Ku Klux Klan and the 1921 African American genocide in Tulsa Oklahoma. Céline maintains that if we examine the causes of war, despotism, and genocide, we can find a healthier way forward for the human race.